The sole laughs are scored by Robert Davi, amusingly playing it straight as a Muslim terrorist who wants to hire Malone to make a suicide bomber recruitment film. Unfortunately, the seriousness of the arguments - Zucker even brings the charred ruins of the World Trade Center towers into the mix - work against the gags, few of which are remotely funny anyway. The ensuing episodes - including Neville Chamberlain shining Hitler’s shoes, the happy slaves at Malone’s plantation (there was no Civil War thanks to Lincoln’s pacifism) and ACLU zombies being gunned down by a trigger-happy judge (Dennis Hopper) - are meant to depict how leftist ideas inevitably lead to ruination. George Patton (Kelsey Grammer), George Washington (Jon Voight) and the Angel of Death (country singer Trace Adkins). Actually, even those who find Moore’s politics anathema will have some sympathy for the main character, none too imaginatively dubbed “Michael Malone” and played appealingly by Kevin Farley.Ī framing device featuring Leslie Nielsen relating the story to kids at a Fourth of July barbecue adds little comedic value to the proceedings, which involve the portly filmmaker - whose latest effort is “Die, You American Pigs” - being visited by the ghosts of JFK, Gen. Zucker, whose credits include such major successes in the genre as “Airplane!” and “The Naked Gun,” apparently felt that combining right-wing political arguments with cheap gags about Moore’s slovenliness was a surefire recipe for laughs. People have, as the Bible prophesied they would, turned away from. The vast majority of people still don’t know anything about prophecy, and that includes the church, LaLonde told Faithwire. ![]() The film opened Friday without advance press screenings, and earned just $3.6 million for the weekend, good enough for No. The movie, which stars Kevin Sorbo, Corbin Bernsen and Neal McDonough which, is set to premiere in theaters on Jan. Audiences will be mostly stone-faced, though it’s a pretty good bet that Moore will be laughing his ass off. NEW YORK (Hollywood Reporter) - Arriving at least one election cycle too late, David Zucker’s “An American Carol” uses the less-than-original tack of using Dickens’ Yuletide classic to spoof left-wing politics and provocateur filmmaker Michael Moore in particular.Īlthough it’s refreshing to encounter a parody that doesn’t use tired movie genres for inspiration, “Carol” squanders its comedic potential with a near-total absence of laughs. Former Hercules star Kevin Sorbo defends his new faith-based action film The Reliant, explains why he wont stop being an outspoken Hollywood conservative.
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